Showing posts with label 19th century England. Show all posts
Showing posts with label 19th century England. Show all posts

Sunday, May 5, 2013

Noblesse Oblige or Regency Duty

Duty was the watchword in the Georgian and Regency eras. Everyone had his or her place, and every place had its duties. Even noble families were not exempt. A nobleman’s duty was to his line, his country and his church. His sons fulfilled these obligations.

The duty of the first son, the heir, was to his family. His obligation was to protect and increase the estate and to marry and produce a legitimate male successor who would inherit everything. All those Regencies that have the heir buying an army commission and going off to war are anachronisms. The social pressure for the heir to join the armed forces has existed for only about the past one hundred years. Two hundred years ago and earlier, the first son’s duty to continue the line made him too valuable to waste on a battlefield where life was cheap. His obligation was to survive and procreate.

The second son fulfilled the family’s duty to the country. He joined the army, usually as an officer by buying a commission. While some second sons bought places in the militia and served in Britain where there was little chance of dying, others lost their lives on various battlefields. I always wondered why a nobleman would go to great lengths to assure an heir and a spare, and then earmark the spare for such a perilous occupation. Regency England was already a dangerous place. In a world with poor sanitation, no antibiotics, few painkillers, and no understanding of germs, an infected cut could kill you. Why court death in war? As an example, albeit fictional and somewhat later, Dorothy L. Sayers's detective Lord Peter Wimsey, second son of the Duke of Denver, served as a major in the army in World War I. He almost died in an artillery shelling that buried him alive. Into the 21st century, Prince Harry served in Afghanistan as a helicopter pilot.

A nobleman also had a duty to the church, which the third son fulfilled by joining the clergy. A man did not necessarily have to be religious to become a clergyman. If this son’s family was rich and titled, his father likely controlled several livings, and he could give them all to his son. (Note, the giving of multiple livings to one clergyman would be declared illegal later in the nineteenth century). The son could hire curates to do the actual work, and he could take the money from the livings and do as he chose. If the spare died in battle, the third son, with a relatively safe profession, was the spare spare, and could inherit. But only if there was a third son and the heir had no sons.

Of course, there were always exceptions. As an example of both the standard and the exception, we have Earl Spencer, ancestor of Diana, Princess of Wales. He made his heir enter Parliament, sent his next two sons into the navy, and the fourth became a clergyman. Why the navy? Earl Spencer was Secretary of the Navy. None of the boys had any choice. The second son hated the navy, but the fourth son at least was bookish. The second son in Mansfield Park became a clergyman, and many younger sons entered politics, especially if their fathers had money and connections.

Any more sons were superfluous and were on their own. Their father may or may not have given them allowances. If not, they were likely on the lookout to marry heiresses. If they couldn’t snag one, or were modern and forward-looking, they sought that dreaded of all things to a gentleman–work.

While the Regency was still a bastion of tradition, the era was also the time when our modern world began. Not every son played the game according to the rules. In my Regency comedy, An Inheritance for the Birds, the hero, Kit, is the second son of a baronet. He loves the land, and wants to work as a land steward. He worked with his father’s steward, and plans to take over when the older man retires. But at the old steward’s retirement, Kit’s father, a traditionalist, hires a new one and cuts off Kit’s allowance, thinking to force him to join the army. Instead, Kit’s older brother, who had wanted him as steward, finds him a job as a nobleman’s secretary. That job sounds fairly good until Kit finds out what he has to do. And then he receives the letter informing him about his chance to win his great-aunt’s estate. Maybe he can still fulfill his dream of caring for the land.

In A Similar Taste in Books, the hero, Justin, is the third son of a gentleman. The church holds no allure for him, so he studied law at Oxford. Finance appeals to him, so he works in a bank.

In Gifts Gone Astray, hero Stephen, a baron's third son, lost his job as a teacher at Cambridge. He secures another (awful!) job as tutor to an earl's bratty son. But he won't suffer for long!

An Inheritance for the Birds,  Blurb and excerpt here.
Available at The Wild Rose Press, Amazon, Barnes and Noble, All Romance Ebooks and other places where ebooks are sold.

A Similar Taste in Books, Book 1 of Love and the Library (Book 2, A Mutual Interest in Numbers, coming soon!) Blurb and excerpt here. 
Available at Smashwords, Amazon, Barnes and Noble and other places where ebooks are sold.

Gifts Gone Astray, blurb and excerpt here. Available at The Wild Rose Press, Amazon, Barnes and Noble, All Romance Ebooks and other places where ebooks are sold.



Thank you all,
Linda

Sunday, October 16, 2011

Review: MR. DARCY'S BITE by Mary Lydon Simonsen


Mr. Darcy a werewolf? Really?

Yes, really, in Mary Lydon Simonsen's wonderful Regency take on the paranormal, Mr. Darcy's Bite.

For months, Darcy has visited Elizabeth. To all appearances, he wants to court her, but he has yet to make a declaration. At last, Elizabeth has had enough. With the love of his life about to dismiss him forever, Darcy has no choice but to reveal he is a werewolf.

Of all the reasons Darcy would hesitate to marry her, Elizabeth never imagined this. She loves him, but does she want to wed a man who grows fangs and fur every month?

In general, I don't care for paranormal in historicals. The paranormal can easily overwhelm the history, and combining the genres in the correct proportions to satisfy the historical reader is a delicate operation. In Mr. Darcy's Bite, Mary Lydon Simonsen has succeeded in crafting a story true to Regency sensibilities within the framework of an almost done-to-death paranormal motif.

Ms. Simonsen uses Darcy's unusual condition to heighten both the conflict and the emotion. Both Elizabeth and Darcy agonize over whether marriage would help or hurt the other, without realizing their doubts manifest their true love. Ms. Simonsen's scrupulous attention to the Regency world lets us believe Darcy's and Elizabeth's love plus a little humor will allow them to adapt to a marriage in which Darcy runs on four feet once a month. I like that Ms. Simonsen has presented Darcy's lycanthropy as more curse than blessing. Darcy is already a hero for the ages, and using his werewolfism to turn him into a Regency superman would dilute his appeal. And I like the ending, where two truly become one.

Mr. Darcy's Bite adds an enjoyable new dimension to Pride and Prejudice.

Thank you all,
Linda
ARC provided by Sourcebooks

Sunday, September 18, 2011

Review: LORD AND LADY SPY by Shana Galen


The war with Napoleon is over. What's a spy to do? Such is the problem facing Adrian and Sophia in Lord and Lady Spy, Shana Galen's latest Regency historical with mystery and action.

Unbeknownst to each other, Adrian and Sophia both worked for the same top secret organization in the Foreign Office. Retirement holds no allure for spies who thrive on danger and deception, especially when their marriage is troubled. And then the prime minister requests their services in a murder investigation. The catch--they must compete with each other, and the one who solves the case will be reinstated into his or her former job.

Loners both, with divergent styles, they must join forces to solve the case, increasing the strain on their relationship. They love each other, but do they love each other enough to take another chance on their marriage when only one of them can win the competition?

Ms. Galen's latest effort is an exciting mystery/spy story, interlaced with the sadness of a troubled marriage. I like stories that contain another element in addition to the romance, and this one has not only a murder mystery, but a spy story, too. I also like a non-traditional heroine, and Sophia is one of the best. She's a lady who can take care of herself in any situation her work throws at her. Her personal life is another matter. And I like Adrian, who wants both his life as a spy and the love of his wife, but who doesn’t know how to reconcile the opposing desires. Neither Adrian nor Sophia is perfect, and their suffering and humanity come through in this courtship-in-marriage story as they work to repair their relationship and solve the mystery. And the mystery will keep you wondering right until the end.

If you want a Regency with something in addition to fancy balls and pretty clothes (which this book also has), Lord and Lady Spy is the book for you.

Thank you all,
Linda
ARC provided by Sourcebooks

Sunday, September 11, 2011

Review: The Wedding Affair by Leigh Michaels


A wedding is a wonderful event. Love is in the air and everyone is happy.

Well, not quite. Not if you're the Simon, the Duke of Somervale, whose sister's twelve (twelve!) bridesmaids are on the hunt for a ducal matrimonial prize. What to do? Why, hire the beautiful widow, Lady Olivia Reyne, as your pretend fiancée until after your sister's wedding. Especially after she propositions you. And not if you're Charles, the Earl of Townsend, who married cit's daughter Penelope for her money to save the bankrupt estate he inherited. But her father's purse strings haven't opened, and Penelope is as much a victim of her father's machinations as you are. And not when you're impoverished vicar's daughter, Kate, and you again meet Andrew, the man you fell in love with when you were seventeen, and who never came near you again.

With a setup like this, how can Leigh Michael's latest Regency historical, The Wedding Affair, but anything but lots of fun?

Ms. Michaels has given us another whopping good read with three intertwined stories of unlikely love threaded with secrets, and all with a wedding theme. The duke's sister's wedding forms the backdrop of the novel, while the three couples are in various stages of wedded bliss--or non-bliss. Each story also has a different emphasis. Simon's and Olivia's story is mainly funny, Charles's and Penelope's sad, and Kate's and Andrew's poignant, although all these elements exist to some degree in each tale. I love Simon, the mighty duke, when he's spattered with grape juice, the way Charles and Penelope circumvent her father, and the real reason Andrew never came near Kate again. And the secrets remain secret until the end.

Again, Leigh Michaels has nice-guy heroes (my favorites) and heroines who fight for what they want. And she manages to fit all this action, doing justice to each couple, into one book. Truly the hallmark of a master. I loved each hero, but my favorite is Andrew. I like a man who makes his own way.

Funny and sad situations, witty and pointed dialog, and a quick pace keep us turning the pages until the end. The Wedding Affair is another winner from Leigh Michaels. I can't wait for her next book.

Thank you all,
Linda
ARC provided by Sourcebooks

Sunday, August 28, 2011

Book Review: SYLVESTER or THE WICKED UNCLE by Georgette Heyer


A duke who needs to be taken down a notch or fifteen and a battered down young miss who fights back the only way she can. Did I say Sylvester, or The Wicked Uncle by Georgette Heyer?

Sylvester, the Duke of Salford has decided to marry. And he has his list of requirements, and five prospective candidates. Why shouldn't he? He deserves nothing less.

And then he meets Phoebe, a young girl without money, connections or looks. A more unsuitable lady cannot be found. Her straightforward manner attracts a nobleman who has always been catered to.

But only up to a point. That point is reached when Sylvester discovers Phoebe is the authoress of a novel which skewers the rich the famous of the ton, but most especially him. Never expecting the novel to be published, Phoebe cast him as the villain, based on her then-limited knowledge. But when the ton fools blow up the novel's meaning to absurd proportions, everyone assumes she knew all the intimate details of her characters' lives, which she didn't. They punish her for it. Especially Sylvester, whom she has come to like.

Sylvester is a load of fun as the action ricochets from one improbably funny scenario to another. Ms. Heyer pokes fun at fatuous fribbles, feather-brained ladies, too-rich-for-their-own-good noblemen, spoiled brats, and horse-mad country squires who care more for their horses than their children. And she's wrapped it all up in her delightful Regency language.

Sylvester is also a tale about hiding--and what happens when you can't hide any more. Sylvester is an unusual type of hero, the closet tyrant--affable on the outside, but ruthless underneath. Phoebe also fits the closet motif. Powerless under the sway of a cruel stepmother and a weak father, she fights back against the brutal ton that disdains her by writing a novel ridiculing them.

I didn't care for either character. Sylvester is brutish in his attempts to punish Phoebe, and Phoebe accepts the blame for something that is not her fault. But they are appropriate to the time and partially redeem themselves by the end of the book.

I did like Phoebe's life-long friend, Tom, a decent, level-headed young man who calls a spade a spade and sticks up for Phoebe against Sylvester's wrong-headed treatment.

If you like Regency, Sylvester is another sensational ride into Georgette Heyer's historical world.

Thank you all,
Linda
ARC provided by Sourcebooks

Sunday, September 12, 2010

Review: MR. DARCY'S LITTLE SISTER


Spies! Swashbuckling! The Perils of Pauline!

What?

C. Allyn Pierson's Mr. Darcy's Little Sister is another delightful Jane Austen sequel. But what starts out as a wonderful Jane-esque romp rapidly becomes so much more.

As the title indicates, the story centers on Georgiana Darcy. Georgiana, painfully shy and terribly unsure of herself after the Wickham debacle, must now emerge from her sheltered Pemberley cocoon and make her London debut. But long-standing habits hinder her. Not helping are the patronizing attitudes of her co-guardians, her reserved brother, Darcy, and their cousin, amiable Colonel Fitzwilliam. The most difficult person for her to deal with is Col. Fitzwilliam, who pats her on the head as if she were still a little girl.

But in London lurks The Perils of Georgiana. So-called suitors, desperate for her large dowry, abound. Blackguards kidnap her. Rescue arrives in the person of Col. Fitzwilliam, his easy-going mask flung aside as his sword flashes in true swashbuckling style. How could Georgiana have been so wrong about him?

Meanwhile, the Prince Regent drafts a man of unquestioned loyalty and sober mien to undertake a clandestine mission in war-torn France. The failure of this operation could topple the English government. Which of our Pride and Prejudice characters does he select for this dangerous task? You'll never guess.

With an ear for Austen's prose and a thorough knowledge of the Regency, Ms. Pierson weaves these slightly outlandish threads together into a tale true to the era. Her dialog sparkles, her descriptions are beautiful, and yet another view of Darcy's and Elizabeth's happy marriage is always a treat.

And we thought Jane Austen had already revealed everything there was to know about Pride and Prejudice's well-loved characters. Ms. Pierson shows us their wonderful hidden depths.

Thank you all,
Linda
ARC provided by Sourcebooks