Mistletoe

A Regency Christmas story wouldn't be complete without the hero and heroine celebrating their love with a kiss under the mistletoe. Long a symbol of fertility, mistletoe, with its glossy green leaves and white berries, has become a Christmas symbol of love and marriage.

Mistletoe is an evergreen, a spot of life in the brown, dormant landscape of a northern winter. At this low point of the year, Regency people decorated their houses with mistletoe, along with other seasonal greens such as Christmas rose (Hellebore), evergreen boughs, holly, ivy, hawthorn, laurel, rosemary and bay, as a reminder that spring would return.

In England, mistletoe, which is a parasite, grows most often on apple trees, but also on blackthorn, hawthorn, lime, poplar, rowan, oak and willow. Although its range extends from Devon to Yorkshire, the plant grows mainly to the south and west, and is particularly abundant around London.

Some of the myths surrounding mistletoe originated with the Druids, who deemed the plant a sexual symbol--the juice from the white berries resembles semen--and, by extension, an aphrodisiac. As part of their winter solstice ceremonies, they cut mistletoe from oak trees, providing a link to the later holiday of Christmas.

The origin of kissing under the mistletoe may derive from the Norse legend of the death of the sun god, Balder, killed by a sprig of mistletoe hurled by his enemy, Loki. When Balder's mother, Frigga, the goddess of love, cried over her son, her tears resurrected him. In gratitude, she kissed everyone who came under the mistletoe.

A lesser known legend declares mistletoe the plant of peace. Enemies meeting under the mistletoe had to embrace and declare a truce until the next day. This goodwill and embrace may also be the source of the kiss under the mistletoe.

Regency people used mistletoe in the form of a kissing bough--a simple arrangement of mistletoe decorated with ribbons and hung over a doorway or entrance. The gentleman would kiss his lady and then pluck a white berry which he then presented to her, perhaps as a symbol of the child he could give her. When all the berries were gone, that sprig of mistletoe could no longer be used to steal kisses, although many people disregarded the berries' absence.

My Regency Christmas story, Mistletoe Everywhere, incorporates the myth of enemies--in this case, the estranged hero and heroine--declaring a truce under the mistletoe.

Short blurb: A man who sees mistletoe everywhere is mad--or in love.

More info at my website, http://www.lindabanche.com

Universal Buy Link: https://books2read.com/u/478kLR

Merry Christmas and Happy New Year to all.

Thank you all,
Linda

The painting is Mr. Fezziwig’s Ball (1843). Hand colored etching by John Leech from A Christmas Carol by Charles Dickens. From https://commons.wikimedia.org/wiki/File:A_Christmas_Carol_-_Mr._Fezziwig%27s_Ball.jpg